Fendi Fall/Winter 2016: Modernizing Fur

The mood at Fendi this Fall/Winter 2016 season was upbeat, less intellectual, and overall cheery. That showed in the mishmash and gleeful way the clothes were layered on and over-decorated. Some pieces had so many design details that they came jarringly close to looking fussy. The strongest points for Fendi this season, instead, were the simple gestures of a modern silhouette with some fur thrown in – an idea and a token, but ultimately an affirmation of what the brand does best.34_fendi_donna_fw_16-17_

For a Fall/Winter collection, there was actually a lot more lightness to the collection than one would expect from a house known for fur. An arts and craft approach lent the clothes a vibrant color story and playfulness. Hems of skirts were ruffled and fluted, as were high socks and the undulating layers on shoes. Graphic curvy stripes come on in waves. But Lagerfeld, long-time designer of ready to wear for the house (he’s been there 51 years), is never one to over-intellectualize – so perhaps the ruffles were simply an outpour of passion for a younger, frillier girl.29_fendi_donna_fw_16-17_

The namesake family designer at the house, though, is best at accessories. We saw Silvia Venturini Fendi continue her embellishment game with her bags. The Peekaboo, 2Jours, 3Jours, DotCom, By The Way and the unmistakable Baguette were given adoringly light-hearted treatments of sequined embroidery, fur appliqué, and a mix of marquetry and studded leather straps. They were a vibrant refreshment that positioned bags as collectable objects of whimsy and desire, not just stale leather goods to be considered for their investment value. It was hard to ignore the DotComs and By The Ways that featured smooth leather ripples over a suede body, and equally hard not to fall a little in love with a teal Baguette with great big tiered ruffled leathers erupting outwards.22_fendi_donna_fw_16-17_

But the real gasp and coo moments from Fendi this season were the furs – duh. A great big furry bag – appropriately named Teddy – was paired with a spotted and striped intarsia fur coat. In other coats, the intricate intarsia technique was used to Japanese effect with delicate ikebana floral motifs. The impression made by such full-fur pieces is astounding, of course, when the cost and craft is considered – but they can easily strike an excessive note. Two looks encapsulated the ideally stylish and modern use of fur. On Lineisy Monteiro was a wide, A-line quilted parka with a textured fur collar – worn with beautiful double-faced denim trousers. On Imaan Hammam, a white and green roll neck was worn under a lightly pleated and oversized dinner jacket with a matching fur stole over a shoulder. The effect was effortless and aspirational, a real synthesis of heritage and currency.

This article was first published in L’Officiel Singapore.